Analysis of Archibald Lampmans The City of the End of Things Essay

Analysis of Archibald Lampmans The metropolis of the End of Things Iron Towers. Terrible flames. cruel music, rising and falling. Grim depths and abysses, where all night holds sway and gruesome creatures kotow before their awesome Master. by dint of these disturbing images, and a masterful rendering of the sonnet social organisation, Archibald Lampman summons forth The City of the End of Things. The nameless City he creates is a place of mechanical slavery and despair, where Nature cannot exist, and mankind life is forfeit. The place is a veritable Hell no, worse than a hell - it is Tartarus. By evoking the name of this, the most feared of realms in classical Mythology, Lampman root his poem, and thus his City and message, in Greek and Roman legend. This is very consequential since, by wrapping the poem within a mythological narrative, it automatically begins to undermine any attempt to enforce Christian (and other) readings upon it. It becomes important to catch exactly what is intended by the usage of Tartarus, and precisely how deeply it permeates the structure of the poem. Tartarus was not just another realm within the classical globe - it was a land beyond Hades, beyond the Underworld, lying as far below hell as the Earth lay below enlightenment is was said that an anvil would fall for nine days before stretch it. It was a land of exile, a prison for those who displeased the current reigning hierarchy of Gods and divine beings. Uranus imprisoned his first children there the Titans, having overthrown their father, threw the Cyclops into Tartarus - only to take their place once Zeus rebellion disposed of the despotic giants. It currently became a place of such fear that the mere threa... ...in fact, seem lifelessly chaotic. Our mindless support of self-centred political systems, of abuse of fellow charitable beings of different nationalities - it may well have appeared quite insane to him. The poem, therefore, delivers a strong message of warning we must develop a stronger awareness, a care of what is happening, lest we, the collective we - humanity, the Idiot, are left in the ruins of our effort, alone, forever. Works Cited Grimal, Pierre. Tartarus The mental lexicon of Classical Mythology. New York Blackwell, 1986. p.443. Lampman, A. The City of the End of Things. Canadian Poetry From the Beginnings Through the First World War. Ed. Gerson, C and Davies, G. Toronto McClelland & Stewart, 1994. 259-262. Tripp, Edward. Tartarus Crowlls Handbook of Classical Mythology. New York Crowell, 1970. p.545.