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Tuesday, February 12, 2019

Hitler and the Aestheticization of Politics Essay -- propaganda, nazism

IntroductionOne of the reasons behind the success of the national socialist caller in taking over Germany is on its extensive use of propaganda. Adolf Hitler, cognise for his penchant for populism, rendered the strong impact of images, films and other materials attri besidesed to Nazism as infixed for the political success of the Nazi Party and its agenda for Germany. As an dictator leader, Hitler saw the importance of extracting the patronage of the Germans not through forceful means, but through convincing and motivating measures that enticed their mental faculties. To make such a vision possible, Hitler commissioned the talents of filmmaker Leni Riefenstahl one of the most brilliant at the time, to create a movie that promoted Nazism not necessarily in a critical manner, but more on cultivating their blind tenderness towards the Nazi Party. The result, Triumph of the Will, is a documentary film masterpiece that presented the largess of the Nazi Party in a grandiose manner, complete with thick aesthetics enhanced with the latest film technology at the time. time Triumph of the Will has garnered strong acclaim as a magnum physical composition of its period, critics have assailed it for aggrandizing Nazi government and its presumed ability to arouse sympathy towards Nazism. Thus, the asseveration made by Walter gum benjamin on the aestheticization of politics under German fascism has stood as an important premise to clarify and consider in understand the significance of Triumph of the Will (Benjamin 217-252 Riefenstahl).The Aestheticization of Politics under German FascismBenjamin noted one of the most notable characteristics of the Nazi regime that of the aestheticization of politics under German fascism. In the simplest sense, Benjamin underlined... ...m that the aesthetic techniques used in Triumph of the Will is exclusive to Nazism, as those may also have got to represent other ideologies subject to changes in the stimuli of people and brea kthroughs in media technology. later all, what made Triumph of the Will distinctly Nazi in reputation is the fact that it used multifaceted Nazi propaganda the aesthetic techniques used in that set apart from the propaganda, could also apply to other ideologies. wagers CitedBenjamin, Walter. The Work of Art in the Age of Mechanical Production. Illuminations. Ed. Harry Zohn. New York Schocken, 1969. 217-252. Print.Spielvogel, Jackson. Hitler and Nazi Germany A History. 6th ed. United Kingdom Pearson, 2009. Print.Triumph of the Will. Dir. Leni Riefenstahl. Perf. Adolf Hitler, Heinrich Himmler, Victor Lutze, divers(a) Nazi leaders. Universum Film AG, 1935. DVD.

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